“Where I come from, size, shape or color
makes no difference. And nobody has the power.”
– Captain James Kirk, Star Trek, Plato’s
Stepchildren.
The 23rd century, as imagined in 1966-1969
America by the creators of Star Trek, was a world – no, a galaxy! -- of
equality and justice. Race was
immaterial. Gender did not matter. Diverse cultures were respected. Science was promoted. Technology bolstered exploration and
communication. Peace was paramount.
Learning was valued. Opportunity was
open to all. It was a beautiful and
ambitious vision. But because it was not
yet fully invented, it was full of gaping holes, blatant contradictions,
scantily clad green women, and hilariously cringey weirdness.
#1 The Man Trap: Micro-minis make great
workwear, and too much salt is bad for you.
#5: The Enemy Within: Your inner demons
are nasty, but at least they aren’t boring.
#18 Arena: Low-budget lizard-people are
bad at hand-to-claw combat.
Over the past couple of months, I’ve
re-watched all seventy-nine episodes of the original Star Trek series with my
fourteen-year-old daughters. What
started as a joke turned into a frequently amusing, sometimes painful, and
surprisingly eye-opening journey. Viewing,
discussing, dissecting, and mocking every episode, even the truly terrible ones
– especially the truly terrible ones – has granted the kids new insights into
the past, the present, and the future.
It has also brought me to a new realization: I grew up in an imaginary
galaxy.
No, I wasn’t raised on Aldebaran III or
Altair VI. I was born on boring little Earth, in 1972 – a handful of years
after the original Trek, but still well within hailing distance. That birthdate places me smack in the middle
of Generation X. Our generation is too
young to have watched first-run Trek. We
are also too young to remember the wars, marches, assassinations, protests, and
massive societal transformations that took place in the sixties and early
seventies. But our parents, teachers,
and mentors were fully aware during that time.
As such, our generation was shaped by the same forces that created
Klingons, Vulcans, and Tribbles. We
were, collectively, urged “to boldly go where no man has gone before”. But we were often given half-formed ideas,
skimpy budgets, poor scripts, and not much in the way of direction. All of the
original Trek’s aspirations, and all of its failings, were built into our
childhood.
#23 A Taste of Armageddon: Let’s critique
the Cold War obliquely with aliens.
#39 Journey to Babel: Being raised by
logicians causes serious attachment issues.
#44 The Trouble with Tribbles: Exponential
growth is worrisome, even with pompoms.
Star Trek was, for its time, at the cutting
edge of social change and political liberality.
But, viewed in 2020, the flaws and hypocrisy of the original series are
so obvious as to be comical. With the
same hindsight, the failings and hypocrisy of my own childhood are just as
funny – and awkward, and heartbreaking – as those of Trek, and for the same
reason: reinventing deeply entrenched social structures is hard.
Trek tried, earnestly, to address sexism
and racism. It introduced a character
who was conflicted about being half human and half Vulcan, placed a Black woman
and an Asian man on the bridge of a starship, and created – for at least an
episode or two -- a female Romulan captain and a Black Federation
Commodore. But women still only
represented about 25% of the crew, were rarely depicted in positions of power,
and were too often shown only as lackeys providing paperwork or beverages. Likewise, minority males tended to hover
around the edges of the main plotline, wearing red shirts. The original Trek
featured thinly veiled lessons about inter-cultural understanding and gender
parity. But it also featured stereotypical
“noble savages” and endless parades of breathless long-lashed alien ladies for
Kirk to woo.
#6 Mudd's Women: Don’t judge women by
their looks, except totally do?
#14 Balance of Terror: Let’s talk about
racism, but toward Vulcans.
#58 The Paradise Syndrome: Kirk is not
Native American, and neither are these actors.
When I was a kid, I gradually became aware
of similarly deep contradictions in my world.
I was told, repeatedly, that boys and girls were equal. But I looked at the adults around me, and saw
moms who stayed home with kids, and dads who went off to work. The few exceptions were notable; I recall a
friend’s father cleaning the house: a man, pushing a vacuum cleaner! I was told that all races were equal, but the
only Black role models I met during my entire childhood in a mixed-race town
were one female gym teacher (who did not happen to be particularly inspiring) and
one male art teacher (who was). Thank
you, Mr. Wyatt. You taught me about
perspective, in more ways than one.
What I didn’t understand until many years
later is that the contradictions of my childhood stemmed from the fact that the
supposedly egalitarian reality presented to me was akin to a low-budget science
fiction series being written, directed, and filmed on the fly, by
amateurs. The sweeping Civil Rights Act
of 1964 had only been in place for eight years when I was born. Until 1967, five years before I was born,
interracial marriage was a criminal offense in some states. Women were not guaranteed the right to serve
on juries in all states until I was a toddler.
Women could not earn degrees from Harvard, ultimately my alma mater,
until I was five. Until I was six, women
could be fired for being pregnant. Until I was in first grade, no state – not
one! -- considered marital rape a crime.
These facts are shocking and sad. But to me, they are doubly peculiar for their
relative unfamiliarity. In the world in which I grew up, all adults knew these
things. They’d lived them, internalized
them, been formed by them. I, on the
other hand, know most of these things now only because I’ve researched them, or
been told them quite recently. I was not
taught these things in school – not about John Lewis and Bloody Sunday, not
even about the Vietnam War. No, really,
I wasn’t.
Trek tried to address war, and peace. Its messaging was convoluted and
self-contradictory. It glorified
violence while condemning it, and espoused non-militarism within a blatantly
patriarchal and militaristic framework, complete with uniforms, insignia, and
hierarchy. The stories feel familiar to
me not only because I watched and half-understood a slew of episodes in re-runs
when I was about ten, but also because
the plots echo so much of the jumbled morality presented to me as a kid.
#48: A Private Little War: The Vietnam War
was caused by Klingons and Yetis.
#52 The Omega Glory: Never get involved in
a land war in Asia on another planet, but if you do, America wins.
#62 Day of the Dove: Peace wins.
Original Trek offered some of its most
spectacular flailing when it came to addressing human sexuality – or, for that
matter, the sexuality of aliens, robots, and amorphous clouds of gas. While holding up True Love as an ideal, it
offered only short-lived lust as a plot point.
The comically distracting burning desires that develop in the course of
half an hour are forgotten by the next episode; as such, they provide stark
contrast to the far deeper, more resonant, and more interesting connections
between the three male leads. Plenty of
fans have posited that these are the true, secret romances of Trek, although
that was clearly not the intent of the show’s creators. If Trek was bumbling
and bungling in dealing with issues that were only beginning to be addressed in
the late sixties – civil rights, gender equality, reproductive rights, sexual
freedom, religious freedom and atheism, birth control and population growth,
cold wars, not-so-cold wars, and the moral implications of the development of
artificial intelligence, advanced technology, and space flight – it’s no
surprise that it could not even touch upon gay rights or trans issues.
Nonetheless, the glaring sexual
contradictions of Trek highlight yet another piece of reality that was being
invented – still in quite nascent form -- during my childhood. How do males and females, interacting as
colleagues and equals in a newfound environment of relative sexual freedom,
deal with all the hormonal stuff? How do
genuine friendships fit in? And what of
all the variations on gender, lust, and love that can and do occur?
#13 The Conscience of the King: Don’t kiss
murderers.
#34 The Apple: Forget Eden, sex is great!
#38 Metamorphosis: Love is love, so long
as the field of ionized hydrogen is a consenting adult field of ionized
hydrogen that is somehow definitely of the opposite sex.
These questions were a struggle for me,
certainly. When I was a little girl, it
was only a minor challenge to present myself as an equal of the little boys in
my classes and on the playground. But when puberty hit, the playbook changed,
and I was lost. Watching Trek helps
remind me why; it was equally lost. It
offered several clear templates for masculinity: tech-geek whiskey-sipping
Scotty; emotional and empathetic doctor-not-a-bricklayer McCoy; Kirk,
everyone’s favorite swashbuckling womanizer on a grand mission; and
fascinatingly cool-headed science officer and right-hand-man Spock. The
tensions between these types provide moments of genuinely nuanced theater. The women, on the other hand -- even Uhura
and Nurse Chapel -- don’t save the day, carry the torch, or evidence much in
the way of inner lives. And I certainly could
not have become any one of the nineteen (yes, nineteen) different females Kirk
kisses.
#37 I, Mudd: Don’t fondle the androids.
#57 The Enterprise Incident: The Romulans
are better feminists than the Federation.
#30 Amok Time: Your atypical sexuality
will be terrifying, overwhelming, humiliating, and potentially deadly. Luckily,
your lust will be assuaged by the love/commitment/violence of your best friend,
via rolling around, exposed male nipples, blood, and OMG we’re so confused.
I aspired to be Spock: logical,
mathematical, pacifistic, atheistic, vegetarian, and largely passionless. I flunked that last part -- but then, so did
he. One of the most interesting lessons
of Trek is that even Spock fails to be perfectly Spock – not only when
mind-altered in various ways, but also when faced with the gritty desires of a
powerful Romulan woman, the charmingly heteronormative love of his Captain, or
the awkward and complex jealousies of Dr. McCoy. In the midst of much that is over-the-top
ridiculous in the original series, Spock’s hopes, dreams, and subtle yearnings
are oddly beautiful.
It took me years to understand that pure
Vulcan ideologies are impossible, just as it took me years so understand how
contradictory and paper-thin my world was.
When it came to authoring the imaginary-reality of my childhood, my
mother led the charge. And, impressively
– considering that she had been raised in the relative Dark Ages of the 40’s
and 50’s -- she was successful, to a large degree. At the age of seven, at the dawn of the 80’s,
I calculated that I would be 27 at the turn of the millennium. I clearly recall anticipating that by that
ripe old age I would be a successful scientist and astronaut with a busy
career; I would also be a wife and mother, as something of a sidenote. I was a believer – at least for a while.
As a teenager, I read and watched a
plethora of science fiction. I wallowed
in it. I checked out Clarke, Atwood,
Asimov, Heinlein, McCaffrey, Orwell, Adams, Engdahl, Leguin, Bradbury…
everything I could get my hands on. And
I sat alone in my living room watching each of the then-extant Star Trek
movies, one after another, on VHS. I had
begun to be aware of the falseness, hypocrisy, and gaping holes in my utopia,
and I was filled with angst. I was mad
at society for not being what I wanted to believe it to be. I was mad at the limitations that I’d been
taught did not exist. I was mad at my
parents for tricking me, Santa-like, into believing in a warm, fuzzy,
beautiful, misleading falsehood. And I
was mad at my parents for their personal failure to walk the walk instead of
just talking the talk. I asked my mom
why she didn’t ever earn a college degree, and why she tended to bow to my
father’s whims and demands. I handed my
dad a dishtowel and told him to get off the couch. Among peers, I hid. I shrank. I doubted myself.
Over the years, of course, I forgave my
parents. Over the past three decades,
I’ve come to realize that Mom and Dad did their wonderful, loving, heartfelt
best. That forgiveness sharpened its
outlines in the past twelve weeks, as I re-watched Trek. I realized that my parents were more skilled
than I gave them credit for, as science fiction authors. Sure, their vision was flawed and
hypocritical, but they often did better than Gene Roddenberry and the rest of
the gang.
Moreover, after watching all that ancient
Trek with my kids, the flaws and hypocrisy of my own parenting efforts seem
ever more obvious. Just as my parents
hid many of the world’s atrocities from me when I was small, so too did I, with
my little ones. Just as my parents tried
to reinvent the world for me, I have tried to reinvent the world for my own
children. I’m undoubtedly doing it
badly, but I’m trying. I keep trying.
Star Trek kept trying, too. It reinvented itself, decade by decade. I haven’t watched Next Generation in years,
but I have no doubt that these episodes, too, seem dated and cringeworthy
now. The Trek mission moved on to Deep
Space Nine and Voyager, then to Enterprise, then to Discovery. Each, in turn, moved the vision forward, but
each, in turn, will one day seem laughable.
Each generation of teenagers will roll its collective eyes at the Trek
that belonged to its parents, the Trek that represented the oh-so-visionary and
oh-so-ridiculous future that guided its own upbringing. And that makes me smile.
Our progress will always lag behind our
ideals, but that doesn’t mean that progress isn’t occurring. I grew up in an imaginary galaxy, sure -- but
so did we all. So will we all, I hope,
always. It’s only by imagining it that
we can start to make it real.
After seventy-nine days of Trek, my family
hasn’t yet decided what’s next. We might
watch the original movies, then take a bit of a galactic break. But metaphorically, we’ll keep trying to
boldly go where no man – or no one – has gone before.
WARNING: COMPLETE LIST PROVIDED ONLY FOR THE IRRETRIEVABLY NERDY
1. The Man Trap
Micro-minis make great workwear and too much salt is bad
for you.
2. Charlie X
Hormonal teenagers are terrifying.
3. Where No
Man Has Gone Before
Absolute power corrupts absolutely, and also makes your
eyeballs glow.
4. The Naked
Time
No matter how logical you are, emotions are still kind of a
big deal.
5. The Enemy
Within
Your inner demons are nasty, but at least they aren’t
boring.
6. Mudd's
Women
Don’t judge women by their looks, except totally do?
7. What Are
Little Girls Made Of?
A true friend knows the real you -- but stop kissing
androids.
8. Miri
Don’t flirt with twelve-year-olds. Ewww.
9. Dagger of
the Mind
If everyone seems content, be suspicious.
10. The
Corbomite Maneuver
Humans think they’re smart.
Snicker.
11. The
Menagerie, Part I
Sometimes breaking rules is logical.
12. The
Menagerie, Part II
Escapism is also logical if you have an extreme medical
condition?
13. The
Conscience of the King
Don’t kiss murderers.
14. Balance of
Terror
Let’s talk about racism, but toward Vulcans.
15. Shore
Leave
Alice in Wonderland and homoerotic wrestling represent
valid fantasies.
16. The
Galileo Seven
Your best friend will always save you, even if it’s
illogical. Aww.
17. The Squire
of Gothos
Toddlers shouldn’t have free reign over starship crews.
18. Arena
Low-budget lizard-people are bad at hand-to-claw combat.
19. Tomorrow
Is Yesterday
Time travel is messy.
20. Court
Martial
Hackers can really screw with you.
21. The Return
of the Archons
Seriously, don’t let the computers take over.
22. Space Seed
Eugenics: a terrible idea.
23. A Taste of
Armageddon
Let’s critique the Cold War obliquely with aliens.
24. This Side
of Paradise
Just say no to drugs, even though they’re super fun.
25. The Devil
in the Dark
Just because she’s a terrifying silicone-based lifeform
doesn’t mean she doesn’t love her babies.
26. Errand of
Mercy
Don’t assume you’re morally superior to violent goons or
Space Quakers.
27. The
Alternative Factor
Good people must sacrifice to triumph over evil twins.
28. The City
on the Edge of Forever
Time travel causes the Trolley Problem.
29. Operation:
Annihilate!
Pain is all in your head; Vulcan up.
30. Amok Time
Your atypical sexuality will be terrifying, overwhelming,
humiliating, and potentially deadly. Luckily, your lust will be assuaged by the
love/commitment/violence of your best friend, via rolling around, exposed male
nipples, blood, and OMG we’re so confused.
31. Who Mourns
for Adonais?
Gods are ludicrous, humans have outgrown worshipping them,
and we can say this on 1960s TV because… sci-fi!
32. The
Changeling
Once more: beware the intelligent machines.
33. Mirror,
Mirror
You probably have a dark side, but it’s less bad if you’re
logical. Also, goatees are evil.
34. The Apple
Forget Eden, sex is great!
35. The
Doomsday Machine
Embrace personal sacrifice, but don’t go full Moby Dick.
36. Catspaw
Kitty cats are cool.
37. I, Mudd
Still don’t fondle the androids.
38. Metamorphosis
Love is love, so long as the field of ionized hydrogen is a
consenting adult field of ionized hydrogen that is somehow definitely of the
opposite sex.
39. Journey to
Babel
Being raised by logicians causes serious attachment issues.
40. Friday's
Child
Feuds are bad; babies are cute; a man caring for a baby is
extra-cute, but he is definitely going to hand it back to a woman.
41. The Deadly
Years
Old age sucks.
42. Obsession
Don’t blame the younger generation for your baggage.
43. Wolf in
the Fold
Jack the Ripper was an alien.
44. The
Trouble with Tribbles
Exponential growth is worrisome, even with pompoms.
45. The
Gamesters of Triskelion
Slavery is bad. Brains in jars, ditto.
46. A Piece of
the Action
Don’t base your culture on terrible mafia movies.
47. The
Immunity Syndrome
Kill germs.
48. A Private
Little War
The Vietnam War was caused by Klingons and Yetis.
49. Return to
Tomorrow
Don’t give away your body to just anyone.
50. Patterns
of Force
Even historians can fail to learn from history and become
literal jackbooted Nazis.
51. By Any
Other Name
Teach empathy and humanity via drunkenness and necking.
52. The Omega
Glory
Never get involved in a land war in Asia on another planet,
but if you do, America wins.
53. The
Ultimate Computer
Still no on this computers-in-charge idea.
54. Bread and
Circuses
Slavery: still bad.
Same with gladiators.
55. Assignment:
Earth
Occasionally time travel works out, and prevents nuclear
catastrophe?
56. Spock's
Brain
Don’t lose your head. And maybe don’t watch this episode.
57. The
Enterprise Incident
The Romulans are better feminists than the Federation.
58. The
Paradise Syndrome
Kirk is not Native American, and neither are these actors.
59. And the
Children Shall Lead
Brainwashed children are annoying, and what just happened
in the turbolift?
60. Is There
in Truth No Beauty?
When told not to open the box, people always open the box.
61. Spectre of
the Gun
The Wild West – and everything depicted in bad Hollywood movies
-- isn’t real.
62. Day of the
Dove
Peace wins.
63. For the
World Is Hollow and I Have Touched the Sky
Don’t. Let. The. Computers. Take. Over.
64. The
Tholian Web
Surprise, space DOES require spacesuits!
65. Plato's
Stepchildren
Sadism and power are a bad combo, but Spock and McCoy
tapdancing in tunics are great. Wait,
that particular kiss was a big deal in 1969?
Okaaay.
66. Wink of an
Eye
Slow down, you move too fast. Also, don’t make Kirk a
boy-toy slave.
67. The Empath
Pure empathy is not very useful, but pure intellect is
probably evil.
68. Elaan of
Troyius
Don’t kiss the spoiled princess – and definitely don’t let
her cry on you.
69. Whom Gods
Destroy
Spock knows the real Kirk.
Again. Always.
70. Let That
Be Your Last Battlefield
Racism is destructive, and also incredibly goofy.
71. The Mark
of Gideon
Birth control. Use
it.
72. That Which
Survives
Computers: still mimicking people, still trying to kill
you.
73. The Lights
of Zetar
Don’t let the librarian become possessed.
74. Requiem
for Methuselah
Living too long makes you a creepy old man.
75. The Way to
Eden
It’s maybe okay to be an idealistic hippie so long as you
aren’t a crazy hippie.
76. The Cloud
Minders
Caste systems and social stratification are not okay even
if everyone is white and attractive.
77. The Savage
Curtain
The only difference between good and evil is motive, not
methods -- as demonstrated by a fistfight between Abraham Lincoln and Ghengis
Khan.
78. All Our
Yesterdays
Time travel is heartbreaking. Again.
79. Turnabout
Intruder
When we finally meet a woman who wants real power with the
Federation… she’s murderous and crazy.
Also, Kirk and Spock can totally hold hands if one of them is trapped in
a female body.
And that’s a wrap.
